Artist of the Month: Holly Keenan

Meet Holly Keenan, our second artist of the month!
Continue reading

Advertisements

A Winter Walk

helen painting for blog2

 

Title: A Winter Walk

 

Inspiration: The beautiful wintry landscape last year

 

Plan: It was painted “alla prima” – in one session- in about two hours, from a black and white photograph.

 

Chosen Medium and Why: 50cm x 40cm in acrylic

 

Painting Experience: I used a limited palette to create the misty, soft wintry colours in this landscape and I am pleased with the results of the combination of cool blues and soft warm pinks on the winding path. I had to keep thinking about the importance of the negative shapes- in the trees in particular -and worked to ensure that they had equal importance with the positive shapes of the tree trunks and branches.

 

 My Achievement: I like the way the painting allows the viewer to use their own imagination, and doesn’t define any of the scene in detail.

 

Little Artist’s Tip: Give it a go painting with a limited, strict palette of colours to give a softer, blurred landscape.

Coastline Gigha

 

helen's painting for january blog

 

Title: Coastline Gigha

 

 

Inspiration: A photograph I took this year

 

 

Plan: No planning in particular

 

 

Chosen Medium and Why: It is a small acrylic painting, just 25 cm square. Acrylics are useful because you can keep going back to the piece and add more paint.

 

 

Painting Experience: I enjoyed doing this painting- but was surprised at how long it took to complete- I kept going back and changing the colours in the sky and sea until I was happy with the balance of colours. I have since painted two other versions of this view – but this one is my favourite.

 

 

Nowhere One

Nowhere One by Carol Lambie Acyrlic on paper

Title: Nowhere One

Inspiration: The acrylic paint left on the palette. When I finish a painting I hate wasting the paint! I use only the colours left to paint small A5 paintings of landscapes from my mind.

Plan: Absolutely no planning, I react to the colours on the palette and place them intuitively on the painting, putting them where it feels right.

Chosen Medium and Why: Acrylic paint, it’s useful to build and create texture.

Painting experience:  It is a very meditative way to paint, there is nothing to slavishly represent, just free your mind and enjoy the colour.

My Achievement:  I like the depth I have created without having any detail to explain distance. It makes me step forward to look at the texture in the landscape, which is a quality I look for in a painting.
Little Artist’s Tip: After doing a painting, try to create a second small painting with the mixture of colours left on the palette. Let your mind wander and paint whatever you feel!

Helen

helen's painting for january blog granddaughter (2)

Title: Holly Bennett

My Inspiration: This is one of a series of portraits done of family members in 2016.  I took a photo of my granddaughter Holly on her birthday- wearing her party dress. I liked the way the light was coming in strongly from behind her on the left, and the sense of movement in the informal pose.

Chosen Medium: Acrylic

Painting Experience: I really enjoyed painting Holly and kept in mind that I didn’t want a tight, formal painting – so kept brushstrokes free and loose, avoiding any attempt to do any more than evoke an impression of flowers on her dress.

My Achievement: I have managed to capture a good likeness of her, and was particularly pleased with how the yellow satin sash looked in the final painting as well as the highlights in her hair.

Joyce

Four Puffins Joyce High Def Painting

Title:

The Four Puffins

 

Inspiration:

One of my students brought in a photo of these four puffins on Arran. She wanted to paint it but didn’t know where to start. We were both inspired because this was a local scene. This painting came about by demonstrating techniques to a student and developed into a project for myself as well.

 

Plan:

I decided to demonstrate how I would begin. I started with practise sketches of the birds until I could feel the shape of the birds.

 

Chosen Medium and why: 

The birds were painted with watercolours and then I used white gouache so that the puffins’ feathers look thick and fluffy.

 

Painting Experience:

Painting the birds was so enjoyable. I was more interested in the birds themselves rather than background, therefore when it came to painting the background I did simple washes of watercolour. I wanted to get a fair amount of detail in the birds without overdoing it too much, as that would put it out of kilter with the backdrop.

 

My Achievement:

Each puffin felt like it had its own personality, and as each individual bird came to life it motivated me to continue painting.

Little Artist’s Tip:

Try using a small amount of gouache paint to make parts of your painting bold and stand out.

Lindsey

My Painting: Hot Lips Hot Lips

My Inspiration: My inspiration was my favourite artist Martina Shapiro – I love her bright bold paintings.

Plan: I planned this painting by studying Martina Shapiro’s work very closely.

Chosen Medium and Why: I decided on using mixed media for this painting. I used plaster of Paris to get a bumpy texture on the paper then used a pallet knife and brush with acrylic paint.

Painting Experience: This piece went very well, I didn’t really encounter any problems.

My Achievement: I am especially happy with this painting because I did a few before which were not as strong. I also love the boldness of colour I achieved – it’s very eye catching.

Little Artist’s Tip: Check out Martina Shapiro’s work to see how she inspired Lindsey!

Dawn

My Painting: Afternoon Tea with a Twist Afternoon Tea with a Twist

My Inspiration: I am a lover of tea and I enjoy a cuppa with my friends and this idea was the foundation for this project. I began studying people (mostly my friends and family) and their facial expressions whilst drinking tea. The deeper I got into the project, the more I realised that I enjoyed the social aspect of tea drinking. I began to design images which could be exposed onto screens which could be printed onto fabrics for an interior setting.

Plan: Screen printing is a very long process to carry out, and it does require a lot of planning. I had to come up with designs to be exposed onto screens, coating and prepping the screens, mixing up dye colours / pastes to print with and experiment with these first to make sure they were the correct colour etc. Once I had planned everything my final product was made very easily and quickly.

Chosen Medium and Why: As I was printing on 100% linen, I needed to use a reactive based dye so that when the fabric was washed and steamed, the dye would stick to the orange fabric. For the red fabric, I decided to print with a special heat resistant foil which would make these curtains unique and different!

Painting Experience: Many things went wrong with my first attempts at screen printing these shapes and patterns. I would always do a test run on a similar fabric first before starting on the final piece! I was always encouraged at university to make mistakes and most of the time these mistakes ended up in my designs!

My Achievement: I love how effective the silver foil doilies, show up against the gorgeous red fabric. I feel that from a distance, they look like ordinary lace doilies but on closer inspection they tell a story, and almost resemble a group of people sitting around a table, pouring tea and enjoying each other’s company. I love how different and bold they are and I would definitely have these drapes hanging up in my house… though perhaps not together!

Little Artist’s Tip: When screen printing, you should always test the shapes out first on a piece of fabric before printing on your final piece.

Lindsey

My Painting: Crazy Daisy Crazy Daisy

My Inspiration: I was inspired to paint this piece when I began looking at lots of beautiful flowers. I found Georgia O’Keeffes work particularly inspiring.

Plan: I planned this painting by trying it in chalk pastels and water colour first but I felt afterwards that acrylic worked better.

Chosen Medium and Why: I used acrylic on canvas with a pallet knife and a dry brush technique round the outside of the flower.

Painting Experience: It took a while to do as I kept painting over and over it to get different light and dark tones.

My Achievement: I absolutely love the colours and texture I achieved in this painting.